African American Music

African American Music

African-American music is an umbrella term covering a diverse range of musics and musical genres largely developed by black Americans. Jazz, blues, gospel, and soul constitute the principal modern genres of African-American music. Their origins are in musical forms that arose out of the historical condition of involuntary servitude that characterized the lives of black Americans prior to the American Civil War. The modern genres were developed during the late nineteenth century by fusing European musical styles (characterized by diatonic harmony within the framework of equal temperament) with those of African origin which employed the natural harmonic series.

Following the Civil War, black Americans, through employment as musicians playing European music in military bands developed new musical styles such as ragtime and what would become known as jazz. In developing this latter musical form, African Americans contributed knowledge of the sophisticated polyrhythmic structure of the dance and folk music of peoples across western and sub-Saharan Africa. Together, these musical forms had a wide-ranging and profound influence over the development of music within the United States and around the world during the twentieth century.

The earliest jazz and blues recordings were made in the 1920s. Later periods saw considerable innovation and change. African-American genres have been highly influential across socio-economic and racial groupings internationally, and have enjoyed popularity on a global level. African-American music and all aspects of African-American culture are celebrated during Black History Month in February of each year in the United States.

Read more about African American Music:  Historic Traits, History

Famous quotes containing the words african american, african, american and/or music:

    We live in a highly industrialized society and every member of the Black nation must be as academically and technologically developed as possible. To wage a revolution, we need competent teachers, doctors, nurses, electronics experts, chemists, biologists, physicists, political scientists, and so on and so forth. Black women sitting at home reading bedtime stories to their children are just not going to make it.
    Frances Beale, African American feminist and civil rights activist. The Black Woman, ch. 14 (1970)

    Kitsch ... is one of the major categories of the modern object. Knick-knacks, rustic odds-and-ends, souvenirs, lampshades, and African masks: the kitsch-object is collectively this whole plethora of “trashy,” sham or faked objects, this whole museum of junk which proliferates everywhere.... Kitsch is the equivalent to the “cliché” in discourse.
    Jean Baudrillard (b. 1929)

    There is too much sour grapes for my taste in the present American attitude. The time to denounce the bankers was when we were all feeding off their gold plate; not now! At present they have not only my sympathy but my preference. They are the last representatives of our native industries.
    Edith Wharton (1862–1937)

    I used to be angry all the time and I’d sit there weaving my anger. Now I’m not angry. I sit there hearing the sounds outside, the sounds in the room, the sounds of the treadles and heddles—a music of my own making.
    Bhakti Ziek (b. c. 1946)