History
The pavilion was built in 1898 to serve as the central hall for the Central Canada Exhibition. Designed by Moses C. Edey, it was inspired by London's Crystal Palace. It was named after Governor General Lord Aberdeen who presided over its opening. The structure was built by the Dominion Bridge Company, and took only two months and $75,000 to complete. The structure consists of a series of large steel arches holding up the roof. This allows for a large and column-free interior space of some 3,000 square metres (32,000 sq ft).
For many years, the main purpose of the structure was for agricultural shows, and from this came its "Cattle Castle" nickname. In wartime, the building became an important military structure. It was the home of Strathcona's Horse before they departed for the Boer War. In the First World War, it was the mustering point for Princess Patricia's Canadian Light Infantry, and it served as a general recruiting centre and the home to the Cameron Highlanders of Ottawa and the 4th Princess Louise Dragoon Guards during the Second World War.
Read more about this topic: Aberdeen Pavilion
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“History does nothing; it does not possess immense riches, it does not fight battles. It is men, real, living, who do all this.... It is not “history” which uses men as a means of achieving—as if it were an individual person—its own ends. History is nothing but the activity of men in pursuit of their ends.”
—Karl Marx (1818–1883)
“The history of mankind interests us only as it exhibits a steady gain of truth and right, in the incessant conflict which it records between the material and the moral nature.”
—Ralph Waldo Emerson (1803–1882)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)