1977 in Comics - Conventions

Conventions

  • British Comic Art Convention (England, UK) — presentation of the first annual Eagle Awards
  • Columbus Comic Book Convention (Columbus, Ohio) — guests include Jim Steranko, Bob Layton, and Mike Nasser
  • Creation Comic Book & Pop Culture Convention (Pasadena Center, 300 Ea. Green Street, Pasadena, California) — guests include George Pérez
  • Dayton Comic Book Convention (Convention Center, Dayton, Ohio) — produced by Dayton retailer the Dragon's Lair
  • July 1–5: Comic Art Convention (Hotel Sheraton, Philadelphia, Pennsylvania) — 10th annual show, first time in Philadelphia. Guests of honor: John Stanley and Bernie Wrightson; other guests include Barry Windsor-Smith, Frank Thorne, Frank Brunner, Jeffrey Catherine Jones
  • July 20–24: San Diego Comic-Con (El Cortez Hotel, San Diego, California) — 4,000+ attendees; official guests: Carl Barks, C. C. Beck, Walter Gibson, Robert A. Heinlein, Michael Kaluta, Jack Kirby, B. Kliban, Joe Kubert, Harvey Kurtzman, Stan Lynde, Alex Niño, Trina Robbins, Bill Scott
  • July 29–31: Konvention of Alternative Komix (Air Galleries, London, England, UK)
  • August 5–7: Chicago Comicon (Pick-Congress Hotel, 520 S. Michigan Ave., Chicago, Illinois) — produced by Joe Sarno, Mike Gold, and Bob Weinberg

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Famous quotes containing the word conventions:

    Art, it seems to me, should simplify. That, indeed, is very nearly the whole of the higher artistic process; finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole—so that all that one has suppressed and cut away is there to the reader’s consciousness as much as if it were in type on the page.
    Willa Cather (1873–1947)

    What people don’t realize is that intimacy has its conventions as well as ordinary social intercourse. There are three cardinal rules—don’t take somebody else’s boyfriend unless you’ve been specifically invited to do so, don’t take a drink without being asked, and keep a scrupulous accounting in financial matters.
    —W.H. (Wystan Hugh)

    Why does almost everything seem to me like its own parody? Why must I think that almost all, no, all the methods and conventions of art today are good for parody only?
    Thomas Mann (1875–1955)