120 Film - Other Similar 6 Cm Roll Films

Other Similar 6 Cm Roll Films

The 105 format was introduced by Kodak in 1898 for their first folding camera and was the original 6×9 cm format roll film. The 117 format was introduced by Kodak in 1900 for their first Brownie camera, the No.1 Brownie, 6×6 cm format. These formats used the same width film as 120 film, but with slightly different spools. The 105 spool has a much wider flange, similar to the 116 spool, while the 117 spool's flange is slightly narrower than the 120. The 105 and 620 spools also have much thinner flanges than the 117 and 120 spools (0.025" vs. 0.060"); as a result, an unmodified 120 spool will not fit a camera designed for 105 film, such as a No. 1 Folding Pocket Kodak, as the overall length between the outside of the flanges is too long to fit the width of the film chamber.

The 620 format was introduced by Kodak in 1931 as an intended alternative to 120. Although mostly used by Kodak cameras, it became very popular. The 620 format is essentially the same film on a thinner and narrower all-metal spool (the 120 spool core was made of wood at that time):

  • 105 2.509" width, 1.250" flange, 0.468" core
  • 117 2.470" width, 0.875" flange, 0.468" core
  • 120 2.466" width, 0.990" flange, 0.468" core
  • 620 2.468" width, 0.905" flange, 0.280" core

Hence the 620 is sometime referred as "small hole" 6×6 or 6×9 as opposed to 120 "large hole". The 620 format was discontinued by Kodak in 1995, but it is possible to rewind 120 film onto a 620 spool in the darkroom for use in 620 cameras. According to Kodak, the narrower metal spool allowed building smaller cameras. Nonetheless the 120 format cast-metal bodied Voigtländer Perkeo remains smaller than any 620 format camera.

Read more about this topic:  120 Film

Famous quotes containing the words similar, roll and/or films:

    In the middle of the next century, when the literary establishment will reflect the multicultural makeup of this country and not be dominated by assimiliationists with similar tastes, from similar backgrounds, and of similar pretensions, Langston Hughes will be to the twentieth century what Walt Whitman was to the nineteenth.
    Ishmael Reed (b. 1938)

    Roll on, thou ball, roll on!
    Through pathless realms of Space
    Sir William Schwenck Gilbert (1836–1911)

    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
    Jean-Luc Godard (b. 1930)