Shuowen Jiezi - Circumstances of Compilation

Circumstances of Compilation

Xu Shen, a Han Dynasty scholar of the Five Classics, compiled the Shuowen Jiezi. He finished editing it in 100, but due to an unfavorable imperial attitude towards scholarship, he waited until 121 before having his son Xǔ Chōng present it to Emperor An of Han along with a memorial.

In analyzing the structure of characters and defining the words represented by them, Xu Shen strove to disambiguate the meaning of the pre-Han Classics, so as to render their usage by government unquestioned and bring about order, and in the process also deeply imbued his organization and analyses with his philosophy on characters and the universe. According to Boltz (1993:430), Xu's compilation of the Shuowen "cannot be held to have arisen from a purely linguistic or lexicographical drive." His motives were more pragmatic and political. During the Han era, the prevalent theory of language was Confucianist Rectification of Names, the belief that using the correct names for things was essential for proper government. The postface ( 敘) to the Shuowen Jiezi (tr. Thern 1966:17) explains: "Now the written language is the foundation of classical learning, the source of kingly government." Compare how the postface describes the legendary invention of writing for governmental rather than for communicative purposes:

Cang Jie, scribe for the Yellow Emperor, on looking at the tracks of the feet of birds and animals, realizing that the patterns and forms were distinguishable, started to create graphs, so that all kinds of professions could be regulated, and all people could be kept under scrutiny.(tr. Thern 1966:17)

Pre-Shuowen Chinese dictionaries like the Erya and the Fangyan were limited lists of synonyms loosely organized by semantic categories, which made it difficult to look up characters. Xu Shen analytically organized characters in the comprehensive Shuowen Jiezi through their shared graphic components, which Boltz (1993:431) calls "a major conceptual innovation in the understanding of the Chinese writing system."

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