Recognition
Her works are included in the permanent collections of the Metropolitan Museum of Art, the Corcoran Gallery of Art, the Hirshhorn Museum and Sculpture Garden, the Museum of Fine Arts, in Boston, the San Francisco Museum of Modern Art, and the Whitney Museum of New York City among many others.
Time magazine named Mann "America's Best Photographer" in 2001. Photos she took have appeared on the cover of The New York Times Magazine twice: first, a picture of her three children for the September 27, 1992 issue with a feature article on her "disturbing work," and again on September 9. 2001, with a self-portrait (which also included her two daughters) for a theme issue on "Women Looking at Women."
Mann has been the subject of two film documentaries. The first, Blood Ties, was directed by Steve Cantor, debuted at the 1994 Sundance Film Festival, and was nominated for an Academy Award as Best Documentary Short. The second, What Remains was also directed by Steve Cantor. It premiered at the 2006 Sundance Film Festival and was nominated for an Emmy for Best Documentary in 2008. In her New York Times review of the film, Ginia Bellafante wrote, "It is one of the most exquisitely intimate portraits not only of an artist’s process, but also of a marriage and a life, to appear on television in recent memory."
Mann received an honorary Doctor of Fine Arts degree from the Corcoran Museum in May 2006.
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Famous quotes containing the word recognition:
“In a cabinet of natural history, we become sensible of a certain occult recognition and sympathy in regard to the most unwieldy and eccentric forms of beast, fish, and insect.”
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