Robert Bloch - Influence of H.P. Lovecraft On Early Writing Career

Influence of H.P. Lovecraft On Early Writing Career

During the 1930s, Bloch was an avid reader of the pulp magazine Weird Tales. H. P. Lovecraft, a frequent contributor to that magazine, became one of his favorite writers. As a teenager, Bloch wrote fan letter to Lovecraft (1933), who gave him advice on his own fiction-writing efforts. Bloch's first publication was with the short story "Lilies" in the semi-professional magazine Marvel Tales (Winter 1934). Bloch began correspondence with August Derleth, Clark Ashton Smith and others of the 'Lovecraft Circle'. Bloch's first professional sales, at the age of 17 (July 1934), were to Weird Tales with the short stories "The Feast in the Abbey" and "The Secret in the Tomb". "Feast..." appeared first, in the January 1935 issues which actually went on sale November 1, 1934.

Bloch's early stories were strongly influenced by Lovecraft. Indeed, a number of his stories were set in, and extended, the world of Lovecraft's Cthulhu Mythos. These include "The Dark Demon", in which the character Gordon is a figuration of Lovecraft, and which features Nyarlathotep; "The Faceless God" (features Nyarlathotep); "The grinning Ghoul" (written after the manner of Lovecraft) and "The Unspeakable Betrothal" (vaguely attached to the Cthulhu Mythos). It was Bloch who invented, for example, the oft-cited Mythos texts De Vermis Mysteriis and Cultes des Goules. Many other stories influenced by Lovecraft were later collected in Bloch's volume Mysteries of the Worm.

The young Bloch appears, thinly disguised, as the character "Robert Blake" in Lovecraft's story "The Haunter of the Dark" (1936), which is dedicated to Bloch. Bloch was the only individual to whom Lovecraft ever dedicated a story. In this story, Lovecraft kills off the Bloch character, repaying a courtesy Bloch earlier paid Lovecraft with his 1935 tale "The Shambler from the Stars", in which the Lovecraft-inspired figure dies; the story goes so far as to use Bloch's then-current street address in Milwaukee. (Bloch even had a signed certificate from Lovecraft giving Bloch permission to kill Lovecraft off in a story.) Bloch later wrote a third tale, "The Shadow From the Steeple", picking up where "The Haunter of the Dark" finished (Weird Tales Sept 1950). After Lovecraft's death in 1937, Bloch continued writing for Weird Tales, where he became one of its most popular authors. He also began contributing to other pulps, such as the science fiction magazine Amazing Stories.

Bloch's late novel Strange Eons is a full-length tribute to the style and subject matter of Lovecraft.

After Lovecraft's death in 1937, which affected Bloch deeply, Bloch broadened the scope of his fiction. His horror themes included voodoo ("Mother of Serpents"), the conte cruel ("The Mandarin's Canaries'), demonic possession ("Fiddler's Fee"), and black magic ("Return to the Sabbat"). Bloch visited Henry Kuttner in California in 1937. Bloch's first science fiction story, "The Secret of the Observatory", was published in Amazing Stories (August 1938).

Read more about this topic:  Robert Bloch

Famous quotes containing the words influence of, influence, early, writing and/or career:

    I am always glad to think that my education was, for the most part, informal, and had not the slightest reference to a future business career. It left me free and untrammeled to approach my business problems without the limiting influence of specific training.
    Alice Foote MacDougall (1867–1945)

    If the dignity as well as the prestige and influence of the United States are not to be wholly sacrificed, we must protect those who, in foreign ports, display the flag or wear the colors of this Government against insult, brutality, and death, inflicted in resentment of the acts of their Government, and not for any fault of their own.
    Benjamin Harrison (1833–1901)

    Our instructed vagrancy, which has hardly time to linger by the hedgerows, but runs away early to the tropics, and is at home with palms and banyans—which is nourished on books of travel, and stretches the theatre of its imagination to the Zambesi.
    George Eliot [Mary Ann (or Marian)

    In our period, they say there is free speech.
    They say there is no penalty for poets,
    There is no penalty for writing poems.
    They say this. This is the penalty.
    Muriel Rukeyser (1913–1980)

    It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.
    Thomas Henry Huxley (1825–95)