Painter
Painting is the practice of applying paint, pigment, color or other medium to a surface (support base). The medium is commonly applied to the base with a brush but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term painting describes both the act and the result of the action. However, painting is also used outside of art as a common trade among craftsmen and builders. Paintings may have for their support such surfaces as walls, paper, canvas, wood, glass, lacquer, clay, leaf, copper or concrete, and may incorporate multiple other materials including sand, clay, paper, gold leaf as well as objects.
Painting is a mode of creative expression, and the forms are numerous. Drawing, composition or abstraction and other aesthetics may serve to manifest the expressive and conceptual intention of the practitioner. Paintings can be naturalistic and representational (as in a still life or landscape painting), photographic, abstract, be loaded with narrative content, symbolism, emotion or be political in nature.
A portion of the history of painting in both Eastern and Western art is dominated by spiritual motifs and ideas; examples of this kind of painting range from artwork depicting mythological figures on pottery to Biblical scenes rendered on the interior walls and ceiling of The Sistine Chapel, to scenes from the life of Buddha or other images of eastern religious origin.
Read more about Painter: History, Aesthetics and Theory, Painting Media, Painting Styles, See Also
Famous quotes containing the word painter:
“The painter saw what was, an alternate
Candor and secrecy inside the skin.”
—Thom Gunn (b. 1929)
“To finish a work? To finish a picture? What nonsense! To finish it means to be through with it, to kill it, to rid it of its soul, to give it its final blow ... the coup de grâce for the painter as well as for the picture.”
—Pablo Picasso (1881–1973)
“A painter like Picasso, who runs through many periods and phases, ends up by saying all those things which are on the tip of the tongue of the age to say, and finally sterilizes the originality of his contemporaries and juniors.”
—Norbert Wiener (1894–1964)