John Mark Painter (born c. 1967) is an American musician and songwriter. He is best known for his role, with his wife, singer Fleming McWilliams, in the rock and roll duo, Fleming and John.
Painter grew up in Miami, and began playing trumpet, saxophone, bass, guitar and piano by age 11.
Painter met McWilliams while attending Belmont College in Nashville, and immediately began collaborating on songs. While pursuing a record contract, Painter began playing is studio sessions for artists like Indigo Girls, Nanci Griffith and Jewel (singer).
Fleming and John released its first album, Delusions of Grandeur, in 1995 for independent label R.E.X. Records, then Universal Records. Their second album, The Way We Are in 1999 notably showcased Painter's skills as arranger and as instrumentalist on a panoply of uncommon instruments.
Painter continues to work heavily in the Nashville area as a studio musician, performing on albums by Carolyn Arends, Ben Folds Five, Fear of Pop, Owsley, Rich Creamy Paint (Rich Painter, who is John Mark Painter's nephew), Sixpence None the Richer, Gabe Dixon Band, Sevendust, Jon Foreman, Frally Folds and others.
Also producing artist such as Shapiro, Pantana, and Alva Leigh for Dweeb Records at IHOF Studio.
Painter was the composer for the 2005 animated film "Hoodwinked", the 2006 film "The Second Chance" starring Michael W. Smith, and the VeggieTales DVD "The Wonderful Wizard of Ha's".
Famous quotes containing the words mark and/or painter:
“The mark of the man of the world is absence of pretension. He does not make a speech; he takes a low business-tone, avoids all brag, is nobody, dresses plainly, promises not at all, performs much, speaks in monosyllables, hugs his fact. He calls his employment by its lowest name, and so takes from evil tongues their sharpest weapon. His conversation clings to the weather and the news, yet he allows himself to be surprised into thought, and the unlocking of his learning and philosophy.”
—Ralph Waldo Emerson (1803–1882)
“I foresee the time when the painter will paint that scene, no longer going to Rome for a subject; the poet will sing it; the historian record it; and, with the Landing of the Pilgrims and the Declaration of Independence, it will be the ornament of some future national gallery, when at least the present form of slavery shall be no more here. We shall then be at liberty to weep for Captain Brown. Then, and not till then, we will take our revenge.”
—Henry David Thoreau (1817–1862)