Popular Music
Hungarian popular music in the early 20th century consisted of light operettas and the Roma music of various styles. Nagymező utca, the "Broadway of Budapest", was a major center for popular music, and boasted enough nightclubs and theaters to earn its nickname. In 1945, however, this era abruptly ended and popular music was mostly synonymous with the patriotic songs imposed by the Russian Communists. Some operettas were still performed, though infrequently, and any music with Western influences was seen as harmful and dangerous. In 1956, however, liberalization began with the "three Ts" (tűrés, tiltás, támogatás, meaning toleration, prohibition, support), and a long period of cultural struggle began, starting with a battle over African American jazz. Jazz became a part of Hungarian music in the early 20th century, but did not achieve widespread renown until the 1970s, when Hungary began producing internationally known performers like the Benko Dixieland Band and Bela Szakcsi Lakatos. Other renowned performers from the younger generation are the Hot Jazz Band and the Bohem Ragtime Jazz Band.
Read more about this topic: Music Of Hungary
Famous quotes containing the words popular music, popular and/or music:
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)
“I do not see why, since America and her autumn woods have been discovered, our leaves should not compete with the precious stones in giving names to colors; and, indeed, I believe that in course of time the names of some of our trees and shrubs, as well as flowers, will get into our popular chromatic nomenclature.”
—Henry David Thoreau (1817–1862)
“As for the terms good and bad, they indicate no positive quality in things regarded in themselves, but are merely modes of thinking, or notions which we form from the comparison of things with one another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance music is good for him that is melancholy, bad for him who mourns; for him who is deaf, it is neither good nor bad.”
—Baruch (Benedict)