Music
There is great diversity in music from South Africa. Many black musicians who sang in Afrikaans or English during apartheid have since begun to sing in traditional African languages, and have developed a unique style called Kwaito. Of note is Brenda Fassie, who launched to fame with her song "Weekend Special", which was sung in English. More famous traditional musicians include Ladysmith Black Mambazo, while the Soweto String Quartet performs classic music with an African flavour. White and Coloured South African singers are historically influenced by European musical styles.
South Africa has produced world-famous jazz musicians, notably Hugh Masekela, Jonas Gwangwa, Abdullah Ibrahim, Miriam Makeba, Jonathan Butler, Chris McGregor, and Sathima Bea Benjamin. Afrikaans music covers multiple genres, such as the contemporary Steve Hofmeyr and the punk rock band Fokofpolisiekar. Crossover artists such as Verity (internationally recognised for innovation in the music industry) and Johnny Clegg and his bands Juluka and Savuka have enjoyed various success underground, publicly, and abroad.
The South African music scene includes Kwaito, a new music genre that had developed in the mid 1980s and has since developed to become the most popular socio-economic form of representation among the populace. Some may argue that the political aspects of Kwaito have diminished after Apartheid, and the relative interest in politics has become a minor aspect of daily life. Others argue that in a sense, Kwaito is in fact a political force that shows activism in its apolitical actions.
Today, major corporations like Sony, BMG, and EMI have appeared on the South African scene to produce and distribute Kwaito music. Due to its overwhelming popularity, as well as the general influence of DJs, who are among the top 5 most influential types of people within the country, Kwaito has taken over radio, television, and magazines.
Read more about this topic: Culture Of South Africa
Famous quotes containing the word music:
“The harp that once through Tara’s halls The soul of music shed, Now hangs as mute on Tara’s walls As if that soul were fled.”
—Thomas Moore (1779–1852)
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
—Vladimir Nabokov (1899–1977)
“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
—Muriel Rukeyser (1913–1980)