Performing Practice
Because Znamenny Chant requires a specific manner of performance, the Chant Books contain several instructions as to dynamics and tempo. For the Old Believers church chant also has an educational function: one has to sing in such a way that the sound astonishes the ear and the truth, enclosed in the chants, penetrates the heart. Znamenny performance practice excludes classical vocal training. Singers perform with their own, natural voices, sometimes in a style reminiscent of folklore. Znamenny Chant does not have any pauses or rests, and all chants are performed fluently. Ideally, singers will sing in such a way that their voices become united in one single voice. Originally Znamenny Chant was performed only by male voices. Today, due to a decay in the traditions and the small number of people able to sing at church services, it is usually performed by both by male and female voices.
Read more about this topic: Znamenny Chant
Famous quotes containing the words performing and/or practice:
“And no one, it seemed, had had the presence of mind
To initiate proceedings or stop the wheel
From the number it was backing away from as it stopped:
It was performing prettily; the puncture stayed unseen....”
—John Ashbery (b. 1927)
“By practice and conviction formed,
With ancient stubbornness ingrained,
Although her body clung and swarmed,
My own identity remained.”
—Yvor Winters (1900–1968)