Yutaka Yamamoto - Personal History

Personal History

Originally a member of Kyoto Animation, Yamamoto rose to prominence within the company after serving as assistant director on Munto 2: Beyond the Walls of Time. In 2006, he was selected to be the series production director of The Melancholy of Haruhi Suzumiya, after which he became well-known among anime fans for the ending dance theme he choreographed. He was to make his full directorial debut with Lucky Star, but was replaced after four episodes due to "performance issues." In a later radio interview, Yamamoto confirmed he was fired by Kyoto Animation and unsuccessfully attempted to win back his job. Subsequent to the firing, he founded his own studio, Ordet. In 2008, he directed Kannagi: Crazy Shrine Maidens with Ordet and A-1 Pictures.

In 2009, he directed a 90-second short film for inclusion in the fourth volume of the Tonari no 801-chan manga. The short was produced by A-1 Pictures and featured character designs by Satoshi Kadowaki, also formerly of Kyoto Animation. Production of the short came after the announcement that Kyoto Animation would be producing a Tonari no 801-chan television series. However, less than two weeks later, the series was canceled without explanation by its broadcaster, TBS. Yamamoto wrote that the short was a chance to "avenge myself" on his blog. His most recent project is Black Rock Shooter, an OVA which was released in July 2010. Yamamoto is the supervising director for the project, which is Ordet's first solo production as the main animation studio, while Shinobu Yoshioka, another former Kyoto Animation member, directed it. Yamamoto attended the American anime convention Otakon in 2009. In early 2011, Yamamoto directed the anime Fractale with production by A-1 Pictures and Ordet.

Read more about this topic:  Yutaka Yamamoto

Famous quotes containing the words personal and/or history:

    Keep your own secret, and get out other people’s. Keep your own temper, and artfully warm other people’s. Counterwork your rivals with diligence and dexterity, but at the same time with the utmost personal civility to them: and be firm without heat.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)

    Literary works cannot be taken over like factories, or literary forms of expression like industrial methods. Realist writing, of which history offers many widely varying examples, is likewise conditioned by the question of how, when and for what class it is made use of.
    Bertolt Brecht (1898–1956)