"You Shook Me All Night Long" is one of AC/DC's signature songs from their most successful album, Back in Black. The song also reappeared on their later album Who Made Who. It is one of the band's top 40 singles in the United States of America, reaching number 35 on the USA's Hot 100 pop singles chart in 1980. The single was re-released internationally in 1986 following the release of the album Who Made Who.
"You Shook Me All Night Long" placed at No. 10 on VH1's list of "The 100 Greatest Songs of the 80s". It was also No. 1 on VH1's "Top Ten AC/DC Songs". In the song, the lead singer Brian Johnson relates the story of a night with a beautiful woman. Guitar World placed "You Shook Me All Night Long" number 80 on their "100 Greatest Guitar Solos" list.
The re-released single in 1986 contains the B-side(s): B1. "She's Got Balls" (Live, Bondi Lifesaver '77); B2. "You Shook Me All Night Long" (Live '83 – 12-inch maxi-single only).
The song has also become a staple of AC/DC concerts, almost never being excluded from the setlist, and it has also been considered their signature song, competing with "Back in Black" and "Highway to Hell" for the title.
There are three live versions of this song that have been officially released. The first one on the 1986 maxi-single "You Shook Me All Night Long", the second one from the band's album Live, the third one is on the soundtrack to the Howard Stern movie Private Parts and the AC/DC box set Backtracks.
Read more about You Shook Me All Night Long: Music Video, In Popular Culture
Famous quotes containing the words shook, night and/or long:
“But now he snapped his eyes three times;
Then shook his lantern, saying, “He’s
‘Bout out!” and took the long way home
By road, a matter of several miles.”
—Robert Frost (1874–1963)
“The outer world, from which we cower into our houses, seemed after all a gentle habitable place; and night after night a man’s bed, it seemed, was laid and waiting for him in the fields, where God keeps an open house.”
—Robert Louis Stevenson (1850–1894)
“A glimpse through an interstice caught,
Of a crowd of workmen and drivers in a barroom around the stove late of a winter night, and I unremarked seated in a corner,
Of a youth who loves me and whom I love, silently approaching and seating himself near, that he may hold me by the hand,
A long while amid the noises of coming and going, of drinking and
oath and smutty jest,
There we two, content, happy in being together, speaking little,
perhaps not a word.”
—Walt Whitman (1819–1892)