Other Activities
Berra and former teammate Phil Rizzuto were partners in a bowling alley venture in Clifton, New Jersey, originally called Rizzuto-Berra Lanes. The two sold the alley to other owners, who kept the alley open as Astro Bowl until the late 1990s when it was sold again and converted to retail space.
Berra remains involved in causes related to his Italian American heritage. A longtime supporter of the National Italian American Foundation (NIAF), Berra has helped fundraise for the Foundation, even signing baseballs at NIAF events for auction. In 1996, he received the NIAF Special Achievement Award for Sports at NIAF's 21st Anniversary Gala.
Berra is a recipient of the Boy Scouts of America's highest adult award, the Silver Buffalo Award.
Berra has frequently appeared in advertisements for Yoo-hoo, AFLAC, Entenmann's, and Stove Top stuffing, among others, frequently demonstrating his famous "yogiisms." He is among the longest running commercial pitchmen in the U.S.; his television commercials span the early 1950s to the present day. Based on his style of speaking, Yogi was named "Wisest Fool of the Past 50 Years" by The Economist magazine in January 2005.
Berra appears on the YES Network in Yogi and a Movie where he and Bob Lorenz comment on different movies intermittently as they play.
In the 2007 television miniseries The Bronx is Burning, Berra was portrayed by the actor Joe Grifasi. In the HBO sports docudrama 61*, Berra was portrayed by actor Paul Borghese, and Hank Steinberg's script included more than one of Berra's famous "Yogiisms".
In 2009 Berra appeared in the documentary film "A Time for Champions" recounting his childhood memories of soccer in St. Louis.
Read more about this topic: Yogi Berra
Famous quotes containing the word activities:
“If it is to be done well, child-rearing requires, more than most activities of life, a good deal of decentering from one’s own needs and perspectives. Such decentering is relatively easy when a society is stable and when there is an extended, supportive structure that the parent can depend upon.”
—David Elkind (20th century)
“...I have never known a “movement” in the theater that did not work direct and serious harm. Indeed, I have sometimes felt that the very people associated with various “uplifting” activities in the theater are people who are astoundingly lacking in idealism.”
—Minnie Maddern Fiske (1865–1932)