Outdoor and Public Art
Repertoire of over 80 outdoor sculptures around the world, including:
- 1962-68 "Panorama", concrete and steel, Arad
- 1962-69 "Age of Science", concrete and steel, Dimona
- 1963 "Vibrations A & B", concrete, Kiryat-Yam and "Window to the Sea", concrete, Atlit
- 1964-65 "Monument for the Holocaust", concrete and steel, Nazareth
- 1966 "Peace Memorial", Hebron Road, Jerusalem.
- 1968 "Big Chief", tank assemblage painted, Kiryat Shmona
- 1969-71 "War and Peace", steel and stone, Ramat-Gan
- 1970 "Keystone Gate", painted steel, Jerusalem
- 1970 "Homage to Dürer, painted steel, Haifa
- 1971 "Homage to Jerusalem", Givat Shapira.
- 1971 Sculpture Garden, 61 Weizman Street, Holon
- 1971-75 "Monument to the Holocaust and Revival", corten and glass, Tel Aviv
- 1972 "Happenings and Homage to Kepler", concrete and painted steel, Tel Aviv University, Tel Aviv; "Sundial Garden", concrete, Ashkelon; and "Monument to the Fallen", concrete painted white and steel, Jordan Valley
- 1972-73 "Airport Monument", painted steel, Lod
- 1973 "Challenge to the Sun", Ramot Alon, Jerusalem.
- 1986 "Chichen Itzma", Kiriat Menahem, Jerusalem.
- 1986 Pisgat Zeev, Jerusalem.
- 1989 Homage to Robert Capa, Pozoblanco, Spain.
- 1989 La Liberte, Bordeaux, France.
- 1991 Bertolt Brecht, Berlin Museum Garden.
- 1992 "Jerusalem – Three Faiths", Mount Scopus, Jerusalem.
- 1993 Semaphore, Weizmann Institute of Science, Rehovot.
- 1993 My Seven Pillars of Wisdom, The Hakone Open Air Museum, Japan.
- 1994–96 The Sculpture Garden of Belvoir.
- 1997 Memorial for Itzhak Rabin, Ramat Gan Museum.
- 2000 Abu Nabut Garden, Jaffa.
Read more about this topic: Yigal Tumarkin
Famous quotes containing the words outdoor, public and/or art:
“We put [young children] into kindergarten where their reasoning powers are ruined; or, if we can afford it, we buy Montessori outfits that were invented for semi-imbeciles in Italian slums; or we send them to outdoor schools and give them prizes for sleeping.”
—Katharine Fullerton Gerould (1879–1944)
“Success and failure on the public level never mattered much to me, in fact I feel more at home with the latter, having breathed deep of its vivifying air all my writing life up to the last couple of years.”
—Samuel Beckett (1906–1989)
“The art of the critic in a nutshell: to coin slogans without betraying ideas. The slogans of an inadequate criticism peddle ideas to fashion.”
—Walter Benjamin (1892–1940)