Concrete

Concrete

Concrete is a composite construction material composed primarily of aggregate, cement, and water. There are many formulations, which provide varied properties. The aggregate is generally a coarse gravel or crushed rocks such as limestone, or granite, along with a fine aggregate such as sand. The cement, commonly Portland cement, and other cementitious materials such as fly ash and slag cement, serve as a binder for the aggregate. Various chemical admixtures are also added to achieve varied properties. Water is then mixed with this dry composite, which enables it to be shaped (typically poured) and then solidified and hardened into rock-hard strength through a chemical process called hydration. The water reacts with the cement, which bonds the other components together, eventually creating a robust stone-like material. Concrete has relatively high compressive strength, but much lower tensile strength. For this reason it is usually reinforced with materials that are strong in tension (often steel). Concrete can be damaged by many processes, such as the freezing of trapped water.

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Famous quotes containing the word concrete:

    To step over the low wall that divides
    Road from concrete walk above the shore
    Brings sharply back something known long before
    The miniature gaiety of seasides.
    Philip Larkin (1922–1986)

    Don’t feel guilty if you don’t immediately love your stepchildren as you do your own, or as much as you think you should. Everyone needs time to adjust to the new family, adults included. There is no such thing as an “instant parent.”
    Actually, no concrete object lies outside of the poetic sphere as long as the poet knows how to use the object properly.
    Johann Wolfgang Von Goethe (1749–1832)

    The Dada object reflected an ironic posture before the consecrated forms of art. The surrealist object differs significantly in this respect. It stands for a mysterious relationship with the outer world established by man’s sensibility in a way that involves concrete forms in projecting the artist’s inner model.
    —J.H. Matthews. “Object Lessons,” The Imagery of Surrealism, Syracuse University Press (1977)