"Windy" is a pop music song written by Ruthann Friedman and recorded by The Association. Released in 1967, the song reached #1 on the Billboard Hot 100 in July of that year. Later in 1967, an instrumental version by jazz guitarist Wes Montgomery became his biggest Hot 100 hit when it peaked at #44. "Windy" was The Association's second U.S. number-one, following "Cherish" in 1966.
According to rumor, the original lyrics by Ruthann Friedman were about a man and The Association changed them to be about a woman.
"There are many explanations of who Windy actually was in Ruthann's life. She would have you know, she being me, Ruthann Friedman, that none of them are true. Windy was indeed a female and purely a fictitious character who popped into my head one fine day in 1967...
During the recording session the Association members, sure that they were in the middle of recording a hit, called the song writer, me again, in to sing on the fade at the end. I can be heard singing a blues harmony as the song fades out..."
Session musician Hal Blaine was brought in to play drums.
Read more about Windy: Covers, In Popular Culture
Famous quotes containing the word windy:
“These boys who love their mother
who loves men, who passes on
her sons to other women;
The cloud across the sky. The windy pines.
the trickle gurgle in the swampy meadow
this is our body.”
—Gary Snyder (b. 1930)
“And Guidobaldo, when he made
That grammar school of courtesies
Where wit and beauty learned their trade
Upon Urbino’s windy hill,
Had sent no runners to and fro
That he might learn the shepherds’ will.”
—William Butler Yeats (1865–1939)
“The windy springs and the blazing summers, one after another, had enriched and mellowed that flat tableland; all the human effort that had gone into it was coming back in long, sweeping lines of fertility. The changes seemed beautiful and harmonious to me; it was like watching the growth of a great man or of a great idea. I recognized every tree and sandbank and rugged draw. I found that I remembered the conformation of the land as one remembers the modelling of human faces.”
—Willa Cather (1873–1947)