Works
In Italy, he produced his “Venus,” “Moses and Aaron on Mount Horeb,” “Infant Bacchus,” and “Flight into Egypt.” His work also includes a full-length portrait of Admiral David Farragut at the Battle of Mobile Bay (purchased by a committee in 1871, and presented to the emperor of Russia), the “Holy Family” (1837, now at the Boston Athenaeum) and “The Young Merchants” (now at Pennsylvania Academy of the Fine Arts in Philadelphia). In 1870, Page exhibited a portrait head of Jesus Christ which attracted great attention and excited much controversy. Other paintings include: “The Last Interview” (1838), “Ruth and Naomi,” and “Cupid” (1880)
Among his many portraits, for which he was most noted, are those of Hiram Powers (painted in Florence about 1848), Henry Ward Beecher, Wendell Phillips, Charles P. Daly (1848, in New York Historical Society), James Russell Lowell, Josiah Quincy III, Gov. Reuben E. Fenton (1870), Charlotte Cushman, Ulysses S. Grant (1880), Thomas Le Clear (1883), and Charles Sumner (left unfinished upon Sumner's death). In 1874 Page made a second visit to Europe, in order to study Becker's supposed death mask of William Shakespeare preserved in Germany, and on his return he executed a large bust and several portraits of Shakespeare (1874-78).
He wrote A New Geometrical Method of Measuring the Human Figure (1860), and invented and patented various improvements in boats and guns.
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Famous quotes containing the word works:
“The works of the great poets have never yet been read by mankind, for only great poets can read them. They have only been read as the multitude read the stars, at most astrologically, not astronomically.”
—Henry David Thoreau (1817–1862)
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (1819–1891)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)