Studies
De Wette has been described by Julius Wellhausen as "the epoch-making opener of the historical criticism of the Pentateuch." He prepared the way for the Supplement-theory. But he also made valuable contributions to other branches of theology. He had, moreover, considerable poetic faculty, and wrote a drama in three acts, entitled Die Entsagung (Berlin, 1823). He had an intelligent interest in art, and studied ecclesiastical music and architecture. As a Biblical critic he is sometimes classed with the destructive school, but, as Otto Pfleiderer says (Development of Theology), he "occupied as free a position as the Rationalists with regard to the literal authority of the creeds of the church, but that he sought to give their due value to the religious feelings, which the Rationalists had not done, and, with a more unfettered mind towards history, to maintain the connection of the present life of the church with the past." His works are marked by exegetical skill, unusual power of condensation and uniform fairness. Accordingly they possess value which is little affected by the progress of criticism.
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