Recording
Recording for the song began on September 26, 1967 at Brian's home studio in Bel Air, California with Jim Lockert engineering the session. The song would be almost completely recorded in one day. The band would initially record organ and electric bass guitar courtesy of Bruce Johnston, percussion, tambourine and piano and following that Carl Wilson's lead vocal was overdubbed onto the basic track. The band then recorded instrumental inserts including bongos, percussion and drums, in which Dennis Wilson's bass drum was purportedly recorded in a hallway. The session then concluded with the band doing further vocal overdubs and Bruce Johnston performing the organ solo.
Work was resumed on the track the following day with Paul Tanner overdubbing his custom-built Tannerin - again at Brian's home studio - over the otherwise finished track. This was the third song in the Beach Boys catalogue - after "I Just Wasn't Made For These Times" and "Good Vibrations" - to feature the Tannerin.
Read more about this topic: Wild Honey (The Beach Boys Song)
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“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.”
—Jessie Tarbox Beals (1870–1942)