Biography
Wally was born in Malden, Massachusetts and served as a vaudevillian. In 1942, he began his film career in Hollywood at RKO Radio Pictures with the film Petticoat Larceny. When RKO decided to emulate the comedy team Abbott and Costello he was paired with Alan Carney, creating "Brown & Carney." They premiered with the military comedies Adventures of a Rookie and its sequel Rookies in Burma. Out of their eight films together, one of their most notable films include Zombies on Broadway co-starring Bela Lugosi, a semi-sequel to Val Lewton's I Walked With a Zombie. Their contracts were terminated in 1946, after which they pursued solo careers. In the 1940s–50s, both appeared in various roles for Leslie Goodwins films. They reunited in 1961 in The Absent-Minded Professor. Wally's last years were filled with guest appearances in television, his last one in My Three Sons. He made several guest appearances in Perry Mason. Wally Brown had also been a regular cast member in television shows like I Married Joan, Cimarron City, and Daniel Boone. Along with Alan Carney, he was going to be given a role in It's a Mad, Mad, Mad, Mad World but died not long before filming began. He also served as a regular on The Abbott and Costello Show on radio.
Read more about this topic: Wally Brown
Famous quotes containing the word biography:
“In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, “memoirs to serve for a history,” which is but materials to serve for a mythology.”
—Henry David Thoreau (1817–1862)
“Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.”
—Rebecca West [Cicily Isabel Fairfield] (1892–1983)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)