Theatre Roles
- Three Sisters (1934) as Mary (Theatre Royal Drury Lane, London) (from 30 April)
- Cornelius (1935) as Judy Evison (Duchess Theatre, Aldwych, London) (from 8 April)
- The Melody That Got Lost (1936) as Edith (Embassy Theatre, Swiss Cottage, London) (26 December)
- Autumn (1937) as Monica Brooke (St. Martin's Theatre, London)
- Autumn (1938) as Monica Brooke (Touring production, Leeds - 19 May for one week)
- Drawing Room (1938) as Sylvia (Touring production) (Theatre Royal, Brighton, 19 June for one week)
- Johnson Over Jordan (1939) as Freda Johnson (Saville Theatre, London)
- The Dominant Sex (1941) as Angela Shale (Touring production?) (Theatre Royal, Hanley, from 2 March)
- The Shop on Sly Corner (1945) as Margaret Heiss (St. Martin's Theatre, London)
- Vanity Fair (1946) as Amelia Sedley (Comedy Theatre, the Strand, London) (30 November)
- Once Upon a Crime (1948) (Theatre Royal Birmingham) (Commenced Monday, 21 June)
- Serious Charge (1955) as Hester Byfield (Garrick Theatre, London) (From 17 February)
Read more about this topic: Victoria Hopper
Famous quotes containing the words theatre and/or roles:
“Mankind’s common instinct for reality ... has always held the world to be essentially a theatre for heroism. In heroism, we feel, life’s supreme mystery is hidden. We tolerate no one who has no capacity whatever for it in any direction. On the other hand, no matter what a man’s frailties otherwise may be, if he be willing to risk death, and still more if he suffer it heroically, in the service he has chosen, the fact consecrates him forever.”
—William James (1842–1910)
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)