Theatre Roles
- Three Sisters (1934) as Mary (Theatre Royal Drury Lane, London) (from 30 April)
- Cornelius (1935) as Judy Evison (Duchess Theatre, Aldwych, London) (from 8 April)
- The Melody That Got Lost (1936) as Edith (Embassy Theatre, Swiss Cottage, London) (26 December)
- Autumn (1937) as Monica Brooke (St. Martin's Theatre, London)
- Autumn (1938) as Monica Brooke (Touring production, Leeds - 19 May for one week)
- Drawing Room (1938) as Sylvia (Touring production) (Theatre Royal, Brighton, 19 June for one week)
- Johnson Over Jordan (1939) as Freda Johnson (Saville Theatre, London)
- The Dominant Sex (1941) as Angela Shale (Touring production?) (Theatre Royal, Hanley, from 2 March)
- The Shop on Sly Corner (1945) as Margaret Heiss (St. Martin's Theatre, London)
- Vanity Fair (1946) as Amelia Sedley (Comedy Theatre, the Strand, London) (30 November)
- Once Upon a Crime (1948) (Theatre Royal Birmingham) (Commenced Monday, 21 June)
- Serious Charge (1955) as Hester Byfield (Garrick Theatre, London) (From 17 February)
Read more about this topic: Victoria Hopper
Famous quotes containing the words theatre and/or roles:
“I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.”
—Robert Benchley (1889–1945)
“There is a striking dichotomy between the behavior of many women in their lives at work and in their lives as mothers. Many of the same women who are battling stereotypes on the job, who are up against unspoken assumptions about the roles of men and women, seem to accept—and in their acceptance seem to reinforce—these roles at home with both their sons and their daughters.”
—Ellen Lewis (20th century)