Later Jazz and U.S. Session Work
Before leaving the U.K. in 1955 to work in the U.S., Feldman recorded with Ronnie Scott's orchestra and quintet from 1954 to 1955, which also featured other important British jazz musicians such as Phil Seamen and Hank Shaw. It was Scott who recommended that Feldman emigrate to the U.S., which he did in 1957. Once there, his first steady work was with the Woody Herman Herd. From there he went on to join Buddy DeFranco. He recorded with many different jazz artists, including Benny Goodman, George Shearing, Cannonball Adderley and Miles Davis, most notably on Davis' 1963 album Seven Steps to Heaven, the title tune being his own composition. The 5-CD Shelly Manne Black Hawk set, originally released on LP in September, 1959, is a good representation of Feldman's unmistakable driving "comping" behind the soloists, helping to define the session as a valuable hard bop genre element.
In 1957 Feldman settled in Los Angeles permanently and then specialized in lucrative session work for the US film and recording industry. He also branched out to work with a variety of musicians outside of jazz, working with artists such as Frank Zappa in 1967, Steely Dan in the 1970s and Tom Waits and Joe Walsh in the 1980s. Feldman died at his home, aged 53, following a heart attack.
Read more about this topic: Victor Feldman
Famous quotes containing the words jazz, session and/or work:
“He could jazz up the map-reading class by having a full-size color photograph of Betty Grable in a bathing suit, with a co- ordinate grid system laid over it. The instructor could point to different parts of her and say, “Give me the co-ordinates.”... The Major could see every unit in the Army using his idea.... Hot dog!”
—Norman Mailer (b. 1923)
“The bar is the male kingdom. For centuries it was the bastion of male privilege, the gathering place for men away from their women, a place where men could go to freely indulge in The Bull Session ... the release of the guilty anxiety of the oppressor class.”
—Shulamith Firestone (b. 1945)
“But the doctrine of the Farm is merely this, that every man ought to stand in primary relations to the work of the world, ought to do it himself, and not to suffer the accident of his having a purse in his pocket, or his having been bred to some dishonorable and injurious craft, to sever him from those duties.”
—Ralph Waldo Emerson (1803–1882)