Verse Drama and Dramatic Verse

Verse Drama And Dramatic Verse

Verse drama is any drama written as verse to be spoken; another possible general term is poetic drama. For a very long period, verse drama was the dominant form of drama in Europe (and was also important in non-European cultures). Greek tragedy and Racine's plays are written in verse, as is almost all of Shakespeare's drama, Ben Jonson, Fletcher and others like Goethe's Faust.

Verse drama is particularly associated with the seriousness of tragedy, providing an artistic reason to write in this form, as well as the practical one that verse lines are easier for the actors to memorize exactly. In the second half of the twentieth century verse drama fell almost completely out of fashion with dramatists writing in English (the plays of Christopher Fry and T. S. Eliot being possibly the end of a long tradition).

Read more about Verse Drama And Dramatic Verse:  Dramatic Verse, Closet Drama, Dramatic Poetry in General, Collaborative Play Writing

Famous quotes containing the words verse, drama and/or dramatic:

    If we are related, we shall meet. It was a tradition of the ancient world, that no metamorphosis could hide a god from a god; and there is a Greek verse which runs, “The Gods are to each other not unknown.” Friends also follow the laws of divine necessity; they gravitate to each other, and cannot otherwise.
    Ralph Waldo Emerson (1803–1882)

    Our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, or rather an intimate debate between God, our conscience, and ourselves. Tears, griefs, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations—all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down.
    Henri-Frédéric Amiel (1821–1881)

    It is open to question whether the highly individualized characters we find in Shakespeare are perhaps not detrimental to the dramatic effect. The human being disappears to the same degree as the individual emerges.
    Franz Grillparzer (1791–1872)