Verse Drama And Dramatic Verse
Verse drama is any drama written as verse to be spoken; another possible general term is poetic drama. For a very long period, verse drama was the dominant form of drama in Europe (and was also important in non-European cultures). Greek tragedy and Racine's plays are written in verse, as is almost all of Shakespeare's drama, Ben Jonson, Fletcher and others like Goethe's Faust.
Verse drama is particularly associated with the seriousness of tragedy, providing an artistic reason to write in this form, as well as the practical one that verse lines are easier for the actors to memorize exactly. In the second half of the twentieth century verse drama fell almost completely out of fashion with dramatists writing in English (the plays of Christopher Fry and T. S. Eliot being possibly the end of a long tradition).
Read more about Verse Drama And Dramatic Verse: Dramatic Verse, Closet Drama, Dramatic Poetry in General, Collaborative Play Writing
Famous quotes containing the words verse, drama and/or dramatic:
“Much verse fails of being poetry because it was not written exactly at the right crisis, though it may have been inconceivably near to it. It is only by a miracle that poetry is written at all. It is not recoverable thought, but a hue caught from a vaster receding thought.”
—Henry David Thoreau (1817–1862)
“Narrative prose is a legal wife, while drama is a posturing, boisterous, cheeky and wearisome mistress.”
—Anton Pavlovich Chekhov (1860–1904)
“The dramatic art would appear to be rather a feminine art; it contains in itself all the artifices which belong to the province of woman: the desire to please, facility to express emotions and hide defects, and the faculty of assimilation which is the real essence of woman.”
—Sarah Bernhardt (1845–1923)