Tone
Venda has a single specified tone, HIGH, with unmarked syllables having a low tone. Phonetic falling tone occurs, but only in sequences of more than one vowel, or on the penultimate syllable, where the vowel is long. Tone patterns exist independently of the consonants and vowels of a word: that is, they are word tones. Venda tone also follows Meeussen's rule: when a word beginning with a high tone is preceded by that high tone, the initial high tone is lost. (That is, there cannot be two adjacent marked high tones in a word, though high tone spreads allophonically to a following non-tonic ("low"-tone) syllable.) There are only a handful of tone patterns in Venda words—no tone, a single high tone on some syllable, two non-adjacent high tones—which behave as follows:
| Word | Pattern | After L | After H | Notes |
|---|---|---|---|---|
| thamana | –.–.– | thàmà:nà | thámâ:nà | Unmarked (low) tone is raised after a high tone. That is, the preceding tone spreads. |
| dukaná | –.–.H | dùkà:ná | dúkâ:ná | A preceding high tone spreads, but drops before the final high tone. |
| danána | –.H.– | dàná:nà | dánâ:nà | The pitch peaks on the tonic syllable; a preceding non-adjacent high tone merges into it |
| phaphána | –.H.– | phàphá:ná | pháphâ:nà | |
| mádzhie | H.– | má:dzhíè | mâ:dzhìè | Initial high tone spreads; with an immediately preceding high tone, that initial tone is lost. (The preceding tone also spreads, but not as far.) |
| dákalo | H.–.– | dáká:lò | dákà:lò | |
| khókholá | H.–.H | khókhô:lá | khókhò:lá |
Read more about this topic: Venda Language
Famous quotes containing the word tone:
“When you listen to gongs and drums, listen to the music; when you listen to someone talk, listen to his tone of voice.”
—Chinese proverb.
“Boswell, when he speaks of his Life of Johnson, calls it my magnum opus, but it may more properly be called his opera, for it is truly a composition founded on a true story, in which there is a hero with a number of subordinate characters, and an alternate succession of recitative and airs of various tone and effect, all however in delightful animation.”
—James Boswell (1740–1795)
“Our medieval historians who prefer to rely as much as possible on official documents because the chronicles are unreliable, fall thereby into an occasionally dangerous error. The documents tell us little about the difference in tone which separates us from those times; they let us forget the fervent pathos of medieval life.”
—Johan Huizinga (1872–1945)