History
The University of Adelaide was established on 6 November 1874 after a £20,000 donation by grazier and copper miner Walter Watson Hughes, along with support and donations from Thomas Elder.
The first Chancellor was Sir Richard Hanson and the first vice-chancellor was Dr Augustus Short. The first degree offered was the Bachelor of Arts and the university started teaching in March 1876.
The University has a long history of championing the rights of women in higher education. In 1881, it was the first Australian university to admit women to science courses and its first female graduate was Edith Emily Dornwell (BSc., 1885). The university also graduated the first female surgeon, Laura Fowler (MB, 1891). Ruby Davy (B. Mus., 1907; D. Mus., 1918) was the first Australian woman to receive a doctorate in music. The University was also the first to elect a woman to a University Council in Australia, Helen Mayo (MBBS, 1902).
The great hall of the University, Bonython Hall, was built in 1936 following a donation from the owner of The Advertiser newspaper, Sir John Langdon Bonython, who left £40,000 for a Great Hall for the University.
The University of Adelaide graduates include prominent individuals who have made significant contributions to their fields nationally and internationally, and include Howard Florey, Lawrence Bragg, Mark Oliphant and Hugh Cairns.
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Famous quotes containing the word history:
“English history is all about men liking their fathers, and American history is all about men hating their fathers and trying to burn down everything they ever did.”
—Malcolm Bradbury (b. 1932)
“Philosophy of science without history of science is empty; history of science without philosophy of science is blind.”
—Imre Lakatos (1922–1974)
“Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.”
—Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)