United Southeast Asian Cultural Association, aka USEACA is a non-profit organization that has a goal in preserving the Southeast Asian culture and tradition. USEACA is the first organization in Washington State to bring together different martial art and dance instructors to organize annual cultural events. These events offer the public a glimpse of Southeast Asian culture, traditional kickboxing (Muay Thai, Pradal Serey, Muay Lao), and traditional dance performances (Khmer classical dance, Thailand Traditional Dance, and Laoatian traditional dance).
USEACA was an idea brought up in 2006 when three men (Master John, Srab Sroeuy, and Lo Heit) talked about how nice it would be to have an organization that would unite traditional martial art and traditional dance instructors and somehow showcase the relationship between Southeast Asian traditional cultural dance and martial art. From what was an idea a year prior, became the birth and reality of USEACA in 2007. Since then USEACA has grown and added new members, which include Bokator and Filipino Kali stick fighting instructors, as well as two traditional dance instructors (Khmer Classical/Folk Dance and Thailand Traditional Dance).
Read more about United Southeast Asian Cultural Association: External Links
Famous quotes containing the words united, asian, cultural and/or association:
“Prior to the meeting, there was a prayer. In general, in the United States there was always praying.”
—Friedrich Dürrenmatt (1921–1990)
“Morals are in all countries the result of legislation and government; they are not African or Asian or European: they are good or bad.”
—Denis Diderot (1713–1784)
“If we can learn ... to look at the ways in which various groups appropriate and use the mass-produced art of our culture ... we may well begin to understand that although the ideological power of contemporary cultural forms is enormous, indeed sometimes even frightening, that power is not yet all-pervasive, totally vigilant, or complete.”
—Janice A. Radway (b. 1949)
“The spiritual kinship between Lincoln and Whitman was founded upon their Americanism, their essential Westernism. Whitman had grown up without much formal education; Lincoln had scarcely any education. One had become the notable poet of the day; one the orator of the Gettsyburg Address. It was inevitable that Whitman as a poet should turn with a feeling of kinship to Lincoln, and even without any association or contact feel that Lincoln was his.”
—Edgar Lee Masters (1869–1950)