Tobacco Industry - Tobacco Industry in Popular Culture

Tobacco Industry in Popular Culture

The tobacco industry has had a long relationship with the entertainment industry. In silent era movies, back-lit smoke was often used by filmmakers to create sense of mystery and sensuality in a scene. Later, cigarettes were deliberately placed in the hands of Hollywood stars as an early phase of product placement, until health regulating bodies tightened rules on tobacco advertisement and anti-smoking groups pressured actors and studio executives against such tactics. Big tobacco has since been the subject focus of films such as the docudrama The Insider (1999) and Thank You For Smoking (2005).

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Famous quotes containing the words popular culture, tobacco industry, tobacco, industry, popular and/or culture:

    Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.
    Mason Cooley (b. 1927)

    You and I both know that Twinkies don’t kill people.... The difference between cigarettes and Twinkies ... is death. The tobacco industry should know: When it comes to Twinkies, I’d rather fight than quit.
    Henry Waxman (b. 1939)

    No matter what Aristotle and the Philosophers say, nothing is equal to tobacco; it’s the passion of the well-bred, and he who lives without tobacco lives a life not worth living.
    Molière [Jean Baptiste Poquelin] (1622–1673)

    That some should be rich, shows that others may become rich, and hence is just encouragement to industry and enterprise.
    Abraham Lincoln (1809–1865)

    Lawyers are necessary in a community. Some of you ... take a different view; but as I am a member of that legal profession, or was at one time, and have only lost standing in it to become a politician, I still retain the pride of the profession. And I still insist that it is the law and the lawyer that make popular government under a written constitution and written statutes possible.
    William Howard Taft (1857–1930)

    Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.
    Herbert J. Gans (b. 1927)