Definition
Solanas and Gettino's manifesto considers 'First Cinema' to be the Hollywood production model that promulgates bourgeois values to a passive audience through escapist spectacle and individual characters. 'Second Cinema' is the European art film, which rejects Hollywood conventions but is centred on the individual expression of the auteur director. Third Cinema rejects the view of cinema as a vehicle for personal expression, seeing the director instead as part of a collective; it appeals to the masses by presenting the truth and inspiring revolutionary activism. Solanas and Gettino argue that traditional exhibition models also need to be avoided: the films should be screened clandestinely, both in order to avoid censorship and commercial networks, but also so that the viewer must take a risk to see them.
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