Novels
The Culture novels comprise (in publishing and mostly chronological order):
Main article: Culture seriesTitle | First published | Date in which set | ISBN | ||||
---|---|---|---|---|---|---|---|
Consider Phlebas | 1987 | 1331 AD | ISBN 1-85723-138-4 | ||||
An episode in the Culture's only full-scale war, told mainly from the point of view of an enemy special agent who belatedly realises how much he has in common with the Culture. | |||||||
The Player of Games | 1988 | 2083 AD | ISBN 1-85723-146-5 | ||||
A bored member of the Culture is blackmailed into being the Culture's agent in a plan to a subvert a brutal, hierarchical empire. His mission is to win an empire-wide tournament by which the ruler of the empire is selected. | |||||||
The State of the Art | 1989 | various (title story takes place in 1977 AD) | ISBN 0-929480-06-6 | ||||
A short story collection. Two of the works are explicitly set in the Culture universe ("The State of the Art" and "A Gift from the Culture"), with a third work ("Descendant") possibly set in the Culture universe. In the title novella, the Mind in charge of an expedition to Earth decides not to make contact or intervene in any way, but instead to use Earth as a control group so that the Culture can compare the effects of intervention and non-interference. | |||||||
Use of Weapons | 1990 | 2092 AD | ISBN 1-85723-135-X | ||||
Chapters describing the current mission of a Culture special agent born and raised on a non-Culture planet alternate with chapters that describe in reverse chronological order earlier missions and the traumatic events that made him who he is. | |||||||
Excession | 1996 | 2067 AD (approximate) | ISBN 1-85723-394-8 | ||||
An alien artifact far advanced beyond the Culture's understanding is used by one group of Minds to lure into war a civilisation the behaviour of which they disapprove; another group of Minds works against the conspiracy. A sub-plot covers how two humanoids make up their differences after traumatic events that happened 40 years earlier. | |||||||
Inversions | 1998 | (unspecified) | ISBN 1-85723-763-3 | ||||
Not explicitly a Culture novel, but recounts what appear to be two concurrent Culture Contact missions on a planet whose development is roughly equivalent to medieval Europe. The interwoven stories are told from the viewpoint of several of the locals, not of the apparent Culture agents. | |||||||
Look to Windward | 2000 | 2170 AD (approximate) | ISBN 1-85723-969-5 | ||||
The Culture has interfered in the development of the Chelgrians with disastrous consequences. Now, in the light of a star that was destroyed 800 years previously during the Idiran War, plans for revenge are being hatched. | |||||||
Matter | 2008 | 2087 AD (approximate) | ISBN 1-84149-417-8 | ||||
A Culture special agent who is a princess of a feudal society on a huge artificial planet learns that a Regent is trying to usurp the throne. When she returns in order to stop the Regent, she finds a far deeper threat. | |||||||
Surface Detail | 2010 | 2770 AD (approximate) | ISBN 1-84149-893-9 | ||||
A young woman seeks revenge on her murderer after being brought back to life by Culture technology. Meanwhile, a war over the digitised souls of the dead is expanding from cyberspace into the real world. | |||||||
The Hydrogen Sonata | 2012 | 2375–2567 AD (approximate) | ISBN 978-0356501505 | ||||
The last days of a civilisation that is about to Sublime. |
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Famous quotes containing the word novels:
“The present era grabs everything that was ever written in order to transform it into films, TV programmes, or cartoons. What is essential in a novel is precisely what can only be expressed in a novel, and so every adaptation contains nothing but the non-essential. If a person is still crazy enough to write novels nowadays and wants to protect them, he has to write them in such a way that they cannot be adapted, in other words, in such a way that they cannot be retold.”
—Milan Kundera (b. 1929)
“The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we dont knowNigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novelthe quality of philosophy.”
—Doris Lessing (b. 1919)
“I have just opened Bacons Advancement of Learning for the first time, which I read with great delight. It is more like what Scotts novels were than anything.”
—Henry David Thoreau (18171862)