In Popular Culture
- During February in 2003-2006, the Terminal Tower hosted an annual "Tackle the Tower" stairclimb charity race from the Tower City mall concourse to the observation deck.
- The Terminal Tower appeared in the climactic scene of the 2001 movie Proximity, starring Rob Lowe. Lowe's character led his pursuers from the RTA rapid station to the shopping concourse.
- The tower is featured in the films The Fortune Cookie (1966), The Deer Hunter (1978), A Christmas Story (1983), and Major League (1989).
- Cleveland-based art-punk band Pere Ubu titled their 1985 compilation of early singles and B-sides Terminal Tower.
- The tower can be seen in some scenes from Spider-Man 3 (2007) and The Avengers (2012), parts of which were filmed in Cleveland. It is also seen in parts of Welcome to Collinwood (2002) and The Oh in Ohio (2006).
- On August 20, 1938, as part of a publicity stunt by the Come to Cleveland Committee, Cleveland Indians players Hank Helf and Frankie Pytlak, successfully caught baseballs dropped from the tower by Indians' third baseman Ken Keltner. The 708-foot (216 m) drop broke the 555-foot, 30-year-old record set by Washington Senator catcher Gabby Street at the Washington Monument. The baseballs were estimated to have been traveling at 138 miles (222 km) per hour when caught.
Read more about this topic: Terminal Tower
Famous quotes containing the words popular culture, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“One knows so well the popular idea of health. The English country gentleman galloping after a fox—the unspeakable in full pursuit of the uneatable.”
—Oscar Wilde (1854–1900)
“Any historian of the literature of the modern age will take virtually for granted the adversary intention, the actually subversive intention, that characterizes modern writing—he will perceive its clear purpose of detaching the reader from the habits of thought and feeling that the larger culture imposes, of giving him a ground and a vantage point from which to judge and condemn, and perhaps revise, the culture that produces him.”
—Lionel Trilling (1905–1975)