Early Career
Neeley signed his first record deal in 1965, at age 22, with Capitol Records. He and his group, The Teddy Neeley Five, recorded an album titled Teddy Neeley. They played the club circuit for years, and at one point their name (on a marquee) appeared in an episode of Dragnet. In 1968 Neeley starred in the Los Angeles productions of Larry Norman's rock musicals Alison and Birthday for Shakespeare, with Norman, Richard Hatch and Kay Cole. Then, in 1969, Neeley played the lead role of Claude in both the New York and Los Angeles productions of Hair. His work with that show's director, Tom O'Horgan, led to his being called when O'Horgan was hired to stage Jesus Christ Superstar for Broadway.
Ironically, Neeley originally auditioned for the role of Judas, seeing it as a great opportunity to play a character few understand. However, when Ben Vereen was chosen for the role, Neeley signed on as chorus and also became the Christ understudy. This particular opportunity led to his taking on the title role in the Los Angeles stage version (which played at the Universal Amphitheatre) after receiving a standing ovation during a performance earlier in the tour. Castmate and close friend Carl Anderson was touring also as a Judas understudy.
He also performed the title role in Tommy in Los Angeles, which in turn led him to reprise the title role in the film version of Superstar, directed by Norman Jewison, alongside Anderson as Judas. For his performance in the film, he was nominated for Best Motion Picture Actor in a Musical or Comedy, as well as Best Newcomer, at the 1974 Golden Globe Awards.
Read more about this topic: Ted Neeley
Famous quotes containing the words early and/or career:
“Todays pressures on middle-class children to grow up fast begin in early childhood. Chief among them is the pressure for early intellectual attainment, deriving from a changed perception of precocity. Several decades ago precocity was looked upon with great suspicion. The child prodigy, it was thought, turned out to be a neurotic adult; thus the phrase early ripe, early rot!”
—David Elkind (20th century)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)