Substitution Model

In biology, a substitution model describes the process from which a sequence of characters changes into another set of traits. For example, in cladistics, each position in the sequence might correspond to a property of a species which can either be present or absent. The alphabet could then consist of "0" for absence and "1" for presence. Then the sequence 00110 could mean, for example, that a species does not have feathers or lay eggs, does have fur, is warm-blooded, and cannot breathe underwater. Another sequence 11010 would mean that a species has feathers, lays eggs, does not have fur, is warm-blooded, and cannot breathe underwater. In phylogenetics, sequences are often obtained by firstly obtaining a nucleotide or protein sequence alignment, and then taking the bases or amino acids at corresponding positions in the alignment as the characters. Sequences achieved by this might look like AGCGGAGCTTA and GCCGTAGACGC.

Substitution models are used for a number of things:

  1. Constructing evolutionary trees in phylogenetics or cladistics.
  2. Simulating sequences to test other methods and algorithms.

Read more about Substitution Model:  Neutral, Independent, Finite Sites Models, The Molecular Clock and The Units of Time, Time-reversible and Stationary Models, The Mathematics of Substitution Models, GTR: Generalised Time Reversible, Mechanistic Vs. Empirical Models, Models of DNA Substitution, Models of Amino Acid Substitutions

Famous quotes containing the words substitution and/or model:

    “To play is nothing but the imitative substitution of a pleasurable, superfluous and voluntary action for a serious, necessary, imperative and difficult one. At the cradle of play as well as of artistic activity there stood leisure, tedium entailed by increased spiritual mobility, a horror vacui, the need of letting forms no longer imprisoned move freely, of filling empty time with sequences of notes, empty space with sequences of form.”
    —Max J. Friedländer (1867–1958)

    “Socrates, who was a perfect model in all great qualities, ... hit on a body and face so ugly and so incongruous with the beauty of his soul, he who was so madly in love with beauty.”
    —Michel de Montaigne (1533–1592)