Contribution To Economics and China's Economic Development
Chueng's contribution to economics and China's economic development can be roughly grouped in the following areas,
- New Institutional Economics
- how different kinds of contractual arrangement affect transaction costs, which are often ignored by neoclassical economists
- realizing the importance of transaction costs (as Cheung often mentions in his writings, if there is no transaction costs (the original starting point assumption by Coase), there is no difference in using different institutional arrangements (e.g. market or government)).
- the nature of the firm (a government, to a certain extent, is a firm and can be more efficient than the market in some areas),
- Methodology
- emphasis on economic explanation (according to Cheung, economic explanation is the ONLY objective of the study of economics);
- the analysis of relevant and observable real world constraints: Adam Smith's tradition,
- downward sloping demand curve: Neoclassical tradition,
- theories must be potentially refutable but not yet refuted (Cheung considers many mainstream concepts not observable, leading to the non-refutable nature of many theories (such as utilities, welfare))
- focus on capturing the underlying and relevant constraints to explain economic phenomena that might seem odd and strange on the surface.
- China's economic development
- Considerable influence among the Chinese speaking population (most of his work after 1982 are written in Chinese);
- Prediction of China's institutional reform (which, in general, has been quite accurate)
- Analysis of the deficiencies in the Chinese state owned enterprises
Read more about this topic: Steven N. S. Cheung
Famous quotes containing the words contribution to, contribution, economics, china, economic and/or development:
“All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.”
—Marcel Duchamp (18871968)
“If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the world is provided by a writer. Farce is acted. The writers contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.”
—Eric Bentley (b. 1916)
“There is no such thing as a free lunch.”
—Anonymous.
An axiom from economics popular in the 1960s, the words have no known source, though have been dated to the 1840s, when they were used in saloons where snacks were offered to customers. Ascribed to an Italian immigrant outside Grand Central Station, New York, in Alistair Cookes America (epilogue, 1973)
“Ever since I was a little girl, Ive, Ive dreamed of havin my own things about me. My spinet over there and a table here. My own chairs to rest upon and a dresser over there in that corner, and my own china and pewter shinin about me.”
—Frank S. Nugent (19081965)
“Weapons are an important factor in war, but not the decisive factor; it is people, not things, that are decisive. The contest of strength is not only a contest of military and economic power, but also a contest of human power and morale. Military and economic power is necessarily wielded by people.”
—Mao Zedong (18931976)
“Women, because of their colonial relationship to men, have to fight for their own independence. This fight for our own independence will lead to the growth and development of the revolutionary movement in this country. Only the independent woman can be truly effective in the larger revolutionary struggle.”
—Womens Liberation Workshop, Students for a Democratic Society, Radical political/social activist organization. Liberation of Women, in New Left Notes (July 10, 1967)