Works
- Southern Road, Harcourt, Brace and company, 1932 (original poetry)
- Negro Poetry (literary criticism)
- 'The Negro in American Fiction,' Bronze booklet - no. 6 (1937), published by The Associates in Negro Folk Education (Washington, D.C.)
- Negro poetry and drama: and the Negro in American fiction, Atheneum, 1972 (criticism)
- The Negro Caravan, 1941, co-editor with Arthur P. Davis and Ulysses Lee (anthology of African-American literature)
- The Last Ride of Wild Bill (poetry)
- Michael S. Harper, ed. (1996). The Collected Poems of Sterling A. Brown. Northwestern University Press. ISBN 978-0-8101-5045-4. http://books.google.com/books?id=RObWO8HzxtMC&printsec=frontcover&dq=inauthor:Sterling+inauthor:Allen+inauthor:Brown#v=onepage&q=&f=false. (1st edition 1980)
- The Poetry of Sterling Brown, recorded 1946-1973, released on Smithsonian Folkways, 1995
- Mark A. Sanders, ed. (1996). A son's return: selected essays of Sterling A. Brown. UPNE. ISBN 978-1-55553-275-8. http://books.google.com/books?id=onyOqAw8aaUC&printsec=frontcover&dq=inauthor:Sterling+inauthor:Allen+inauthor:Brown#v=onepage&q=&f=false.
Read more about this topic: Sterling Allen Brown
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“To receive applause for works which do not demand all our powers hinders our advance towards a perfecting of our spirit. It usually means that thereafter we stand still.”
—G.C. (Georg Christoph)
“Most young black females learn to be suspicious and critical of feminist thinking long before they have any clear understanding of its theory and politics.... Without rigorously engaging feminist thought, they insist that racial separatism works best. This attitude is dangerous. It not only erases the reality of common female experience as a basis for academic study; it also constructs a framework in which differences cannot be examined comparatively.”
—bell hooks (b. c. 1955)
“Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
—Jean Genet (19101986)