Stephen Hillenburg - Career

Career

Hillenburg was a marine biology teacher at what is now the Orange County Ocean Institute. He worked as a marine biologist from 1984–1987. In 1987 Hillenburg decided to pursue a career in animation, his second lifelong passion. He made several short films, two of which were awarded and played in animation film festivals internationally. His two short films The Green Beret (1991) (which was featured in an episode of "Liquid Television"; MTV misspelled his name "Hillenberg" in the credits) and Wormholes (1992) became popular shorts in several film festivals — and received various awards.

While still attending animation school, Hillenburg received a job on the children's TV series Mother Goose & Grimm from 1991 to 1993. When attending the California Institute of the Arts he made his thesis film called 'Wormholes' (which was funded by the Princess Grace Foundation). Hillenburg displayed his films at various animation festivals. Joe Murray, creator of Rocko's Modern Life, met Hillenburg at an animation festival and asked Hillenburg if he would be a director on the show, to which he agreed. Hillenburg joined the Nickelodeon animated series as a writer, producer, and storyboard artist. While working on Rocko's Modern Life, Hillenburg became friends with Tom Kenny, who would later become the voice of SpongeBob, and future SpongeBob collaborators Mr. Lawrence, Martin Olson, Paul Tibbitt and others. He now lives in San Marino, California.

Read more about this topic:  Stephen Hillenburg

Famous quotes containing the word career:

    I’ve been in the twilight of my career longer than most people have had their career.
    Martina Navratilova (b. 1956)

    In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.
    Barbara Dale (b. 1940)

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)