Description
The piece was originally written for a single piano and violin - though the violin has often been replaced with either a cello or a viola. Versions also exist for double bass, clarinet, horn, flute and percussion. The piece is an example of minimal music.
The piece is in F major in 6/4 time, with the piano playing rising crotchet triads and the second instrument playing slow scales, alternately rising and falling, of increasing length, which all end on the note A (the mediant of F). The piano's left hand also plays notes, syncopated with the violin (or other instrument).
"Spiegel im Spiegel" in German literally can mean both "mirror in the mirror" as well as "mirrors in the mirror", referring to the infinity of images produced by parallel plane mirrors: the tonic triads are endlessly repeat ed with small variations as if reflected back and forth. The English word for this phenomenon is "enfilade."
In 2011 the piece was the focus of a half hour BBC Radio 4 programme, Soul Music, which examined pieces of music "with a powerful emotional impact". Violinist Tasmin Little discussed her relationship to the piece.
Read more about this topic: Spiegel Im Spiegel
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