The album is entirely instrumental and features mainly guitar solos, hence the title. It is, however, interspersed with brief verbal comments between tracks, many of which were originally intended for the scrapped album Läther. Each disc is titled after a variation on the album's name, which is shared with the title track found on each respective disc.
Most solos on the album are culled from performances of another song. The three title tracks are derived from successive renditions of "Inca Roads"; various other solos were taken from readings of "Conehead", "Easy Meat", "The Illinois Enema Bandit", "City of Tiny Lites", "Black Napkins", "The Torture Never Stops", "Chunga's Revenge", and "A Pound for a Brown on the Bus". "Ship Ahoy" was the coda from a performance of "Zoot Allures" the first part of which appears on You Can't Do That on Stage Anymore, Vol. 3.
The final track, "Canard du Jour", is a duet with Frank Zappa on electric bouzouki and Jean-Luc Ponty on baritone violin dating from a 1972 studio session.
Some of the solos from these albums are featured in The Frank Zappa Guitar Book.
Read more about this topic: Shut Up 'n Play Yer Guitar
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