Shut Up 'n Play Yer Guitar - Content

Content

The album is entirely instrumental and features mainly guitar solos, hence the title. It is, however, interspersed with brief verbal comments between tracks, many of which were originally intended for the scrapped album Läther. Each disc is titled after a variation on the album's name, which is shared with the title track found on each respective disc.

Most solos on the album are culled from performances of another song. The three title tracks are derived from successive renditions of "Inca Roads"; various other solos were taken from readings of "Conehead", "Easy Meat", "The Illinois Enema Bandit", "City of Tiny Lites", "Black Napkins", "The Torture Never Stops", "Chunga's Revenge", and "A Pound for a Brown on the Bus". "Ship Ahoy" was the coda from a performance of "Zoot Allures" the first part of which appears on You Can't Do That on Stage Anymore, Vol. 3.

The final track, "Canard du Jour", is a duet with Frank Zappa on electric bouzouki and Jean-Luc Ponty on baritone violin dating from a 1972 studio session.

Some of the solos from these albums are featured in The Frank Zappa Guitar Book.

Read more about this topic:  Shut Up 'n Play Yer Guitar

Famous quotes containing the word content:

    Perchance the time will come when we shall not be content to go back and forth upon a raft to some huge Homeric or Shakespearean Indiaman that lies upon the reef, but build a bark out of that wreck and others that are buried in the sands of this desolate island, and such new timber as may be required, in which to sail away to whole new worlds of light and life, where our friends are.
    Henry David Thoreau (1817–1862)

    Let us have a fair field! This is all we ask, and we will be content with nothing less. The finger of evolution, which touches everything, is laid tenderly upon women. They have on their side all the elements of progress, and its spirit stirs within them. They are fighting, not for themselves alone, but for the future of humanity. Let them have a fair field!
    Tennessee Claflin (1846–1923)

    Strange that so few ever come to the woods to see how the pine lives and grows and spires, lifting its evergreen arms to the light,—to see its perfect success; but most are content to behold it in the shape of many broad boards brought to market, and deem that its true success! But the pine is no more lumber than man is, and to be made into boards and houses is no more its true and highest use than the truest use of a man is to be cut down and made into manure.
    Henry David Thoreau (1817–1862)