Reception
| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | 68/100 |
| Review scores | |
| Source | Rating |
| Allmusic | |
| Kerrang! | |
| Popmatters | |
| Sputnik Music | |
| Metal Hammer | |
| Alternative Press | |
| Rock Sound | |
The Album received mixed reviews from music critics. Allmusic writer, gave a mixed review to the album and rated it as two-and-a-half stars out of five and wrote: "In all fairness, Shallow Life, does come on very much as expected based on Lacuna Coil's preceding career arc, and many observers would argue that backtracking isn't the solution either if a band is to prosper in the long run -- but it may have to be here, given the underwhelming sales and vociferous critical backlash bestowed upon the album." Kerrang! magazine gave it three out of five, stating: "It may not stand along Karmacode in ten years' time...but it is an album for today." Rock Sound gave them eight out of ten saying that the album is "Edgier, racier and more accessible than almost anything they’ve done to date, 'Shallow Life' is the sound of a band that’s reaping the rewards of over a decade in the business".
Read more about this topic: Shallow Life
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)