Culture
Important figures connected to the history of Santiago del Estero include colonel Juan Francisco Borges, leader of the Independence War (and ancestor of writer Jorge Luis Borges), as well as the revolutionary leaders Mario Roberto and Francisco René Santucho, founders of the Partido Revolucionario de los Trabajadores and the Ejército Revolucionario del Pueblo.
Among the province's most distinguished cultural figures since the 19th century have been painters Felipe Taboada, Ramon Gómez Cornet, Carlos Sánchez Gramajo, Alfredo Gogna, and Ricardo and Rafael Touriño, as well as writers Jorge Washington Ábalos, Bernardo Canal Feijóo, Clementina Rosa Quenel and Julio Carreras (h). Amancio Jacinto Alcorta, a celebrated composer of flute concertoes and religious music, also represented Santiago del Estero in Congress through much of the mid-19th century with distinction.
Santiago del Estero's musical heritage is one of its most important cultural aspects, with typical folklore chacarera and zamba. Renowned artists and groups include the Manseros Santiagueños, Alfredo Ábalos, Leo Dan, Jacinto Piedra and Raly Barrionuevo. The province's best-known folk music ensemble is probably the Ábalos Brothers, active in the genre since 1945 and recording since 1952. Though in their eighties and nineties, all five still perform and have become, over the decades, among the best-known folk musicians in Argentina.
Read more about this topic: Santiago Del Estero Province
Famous quotes containing the word culture:
“As the end of the century approaches, all our culture is like the culture of flies at the beginning of winter. Having lost their agility, dreamy and demented, they turn slowly about the window in the first icy mists of morning. They give themselves a last wash and brush-up, their ocellated eyes roll, and they fall down the curtains.”
—Jean Baudrillard (b. 1929)
“No culture on earth outside of mid-century suburban America has ever deployed one woman per child without simultaneously assigning her such major productive activities as weaving, farming, gathering, temple maintenance, and tent-building. The reason is that full-time, one-on-one child-raising is not good for women or children.”
—Barbara Ehrenreich (b. 1941)
“All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!”
—Camille Paglia (b. 1947)