Rogier Van Der Weyden - Gallery

Gallery

  • Portrait of a Young Woman, c. 1435

  • Saint Luke Drawing the Virgin, c. 1435–40. The setting is derived from the Madonna of Chancellor Rolin by Jan van Eyck

  • The Magdalen Reading, one of three surviving fragments from a lost altarpiece, c. 1435-38

  • Chroniques de Hainault miniature, 1447

  • Pierre Bladelin Triptych, 1445–50, central panel

  • Polyptych with the Nativity, Workshop of Rogier van der Weyden, Metropolitan Museum of Art

  • Portrait of Isabella of Portugal, c. 1445–50

  • Tryptich of the Braque family (closed) c 1450, Louvre

  • Portrait of Charles the Bold, 1460

  • Portrait of Antoine, 'Grand Bâtard' of Burgundy, c 1460

  • Portrait of Francesco d'Este, c 1460

  • Portrait of Philip de Croÿ, c 1460

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    “It doesn’t matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
    —Anton Pavlovich Chekhov (1860–1904)

    “I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
    —Lewis H. Lapham (b. 1935)

    “To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
    —Thomas Henry Huxley (1825–95)