Roger Mais - Mais and Caribbean Drama

Mais and Caribbean Drama

Dueing the 1930s, the first endeavors were made to write and introduce plays related to Caribbean life. Before that period, plays were European-based, with European actors as well. Shows consisted of Romeo and Juliet and reading of Shakespearian plays, but progress towards expressing Caribbean life was being made. The year symbolized an advance for Caribbean theatre. The desire to represent local life and history of the Caribbeans onstage were produced, and the theatre’s capability to entertain and to raise concerning questions were acknowledged. George William Gordon acts as a representation for the lower class, alluding to the oppressions they were forced to endure throughout the play. The form of George William Gordon indicates that the scenes are meant to be performed in public. Therefore, the play not only represents the people, but also functions as a voice for the people so that their cries can be heard. The unfair court system, the low wages and their repercussions are stated clearly in the work by anonymous persons acting as a uniting voice for the people. It forms an identity for the Black underclass majority, which was Mais’s ultimate goal in his work.

Read more about this topic:  Roger Mais

Famous quotes containing the words mais, caribbean and/or drama:

    It is magnificent, but it is not war.
    [C’est magnifique, mais ce n’est pas la guerre.]
    Pierre Bosquet (1810–1861)

    But now Miss America, World’s champion woman, you take your promenading self down into the cobalt blue waters of the Caribbean and see what happens. You meet a lot of darkish men who make vociferous love to you, but otherwise pay you no mid.
    Zora Neale Hurston (1891–1960)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1859–1924)