Davies in Popular Culture
- Davies is one of the authors mentioned in the Moxy Früvous song "My Baby Loves a Bunch of Authors". The line "Who needs a shave? He's Robertson Davies" makes reference to his long white beard.
- In The Sacred Art of Stealing, Christopher Brookmyre (an admirer of Davies) has a character refer to a painting of "The Marriage at Cana", saying that some experts consider it to be a fake. This is a reference to a decidedly fake (although excellent) picture painted by Francis Cornish, the protagonist in What's Bred in the Bone. Many of the characters in Brookmyre's novels are named after characters in Davies's books.
- John Irving's A Prayer for Owen Meany contains several references to Davies' novels, including strong echoes of Fifth Business; for example, the narrators of both novels work as teachers in Toronto in private schools (Bishop Strachan School in Meany and a fictionalisation of Upper Canada College in Davies's novels).
- Indie-rock band Tokyo Police Club references the gravel pit scene from Fifth Business in their song Your English Is Good.
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Famous quotes containing the words davies, popular and/or culture:
“A truly great book should be read in youth, again in maturity and once more in old age, as a fine building should be seen by morning light, at noon and by moonlight.”
—Robertson Davies (b. 1913)
“People try so hard to believe in leaders now, pitifully hard. But we no sooner get a popular reformer or politician or soldier or writer or philosopher—a Roosevelt, a Tolstoy, a Wood, a Shaw, a Nietzsche, than the cross-currents of criticism wash him away. My Lord, no man can stand prominence these days. It’s the surest path to obscurity. People get sick of hearing the same name over and over.”
—F. Scott Fitzgerald (1896–1940)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)