Revolt Against the Modern World: Politics, Religion, and Social Order in the Kali Yuga (Rivolta contro il mondo moderno) is a book by the philosopher and theorist Julius Evola, first published in Italy, in 1934. Widely seen as his magnum opus, it is an elucidation of his Traditionalist world view.
The first part of the book deals with the concepts of the Traditional world; its knowledge of the bridge between the earthly and the transcendent worlds. The second part deals with the modern world, contrasting its characteristics with those of traditional societies: from politics and institutions to views on life and death. Evola denounces the regressive aspects of modern civilisation (using Tradition as a normative principle).
Rivolta contro il mondo moderno was published in Milan by Hoepli in 1934. In 1969 a revised and augmented edition was published. Translated into English by Guido Stucco (from the 1969 edition), it was published by Inner Traditions in 1995 and as a 375-page hardcover (ISBN 0-89281-506-X). It has also been translated into German, Spanish, French, Portuguese, Turkish and Hungarian.
Famous quotes containing the words revolt against the, revolt against, revolt, modern and/or world:
“I went to a very militantly Republican grammar school and, under its influence, began to revolt against the Establishment, on the simple rule of thumb, highly satisfying to a ten-year-old, that Irish equals good, English equals bad.”
—Bernadette Devlin (b. 1947)
“I went to a very militantly Republican grammar school and, under its influence, began to revolt against the Establishment, on the simple rule of thumb, highly satisfying to a ten-year-old, that Irish equals good, English equals bad.”
—Bernadette Devlin (b. 1947)
“To revolt is a natural tendency of life. Even a worm turns against the foot that crushes it. In general, the vitality and relative dignity of an animal can be measured by the intensity of its instinct to revolt.”
—Mikhail Bakunin (1814–1876)
“Sir Walter Raleigh might well be studied, if only for the excellence of his style, for he is remarkable in the midst of so many masters. There is a natural emphasis in his style, like a man’s tread, and a breathing space between the sentences, which the best of modern writing does not furnish. His chapters are like English parks, or say rather like a Western forest, where the larger growth keeps down the underwood, and one may ride on horseback through the openings.”
—Henry David Thoreau (1817–1862)
“Art is not necessary at all. All that is necessary to make this world a better place to live in is to love—to love as Christ loved, as Buddha loved.”
—Isadora Duncan (1878–1927)