Return To The Planet of The Apes

Return to the Planet of the Apes is a short-lived animated series, by DePatie-Freleng Enterprises in association with 20th Century Fox Television, based upon Planet of the Apes by Pierre Boulle. Boulle's novel had previously been adapted in a series of movies, beginning with the 1968 Planet of the Apes starring Charlton Heston. Unlike the film, its sequels, and the 1974 live-action television series, which involved a primitive ape civilization, Return to the Planet of the Apes depicted a technologically advanced society, complete with automobiles, film, and television; as such it more closely resembled both Boulle's original novel and early concepts for the first Apes movie which were changed due to budgetary limitations in the late 1960s.

Produced following the last of the big-screen features and a short-lived live action TV series, this series was among the last Planet of the Apes projects for several years following a number of comic books from Marvel Comics (August 1974 - February 1977) and a series of audio adventures from Power Records in 1974. Aside from a number of comic book series published by Malibu Comics in the early 1990s, the next project based upon Boulle's concepts would be Tim Burton's reimagining in 2001.

Along with the second film Beneath the Planet of the Apes, this is one of only two original Planet of the Apes productions in which Roddy McDowall was not involved.

Read more about Return To The Planet Of The Apes:  Broadcast History, Story, Cast and Characters, Episodes, Reception, DVD Release

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    Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doing—to do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden.
    Ralph Waldo Emerson (1803–1882)

    Athletes have studied how to leap and how to survive the leap some of the time and return to the ground. They don’t always do it well. But they are our philosophers of actual moments and the body and soul in them, and of our manoeuvres in our emergencies and longings.
    Harold Brodkey (b. 1930)

    To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.
    Eleonora Duse (1859–1924)

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    —J.G. (James Graham)

    It disturbs me no more to find men base, unjust, or selfish than to see apes mischievous, wolves savage, or the vulture ravenous for its prey.
    Molière [Jean Baptiste Poquelin] (1622–1673)