Relief

Relief

Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.

Read more about Relief.

Famous quotes containing the word relief:

    “What do we want with this vast and worthless area, of this region of savages and wild beasts, of deserts, of shifting sands and whirlwinds, of dust, of cactus and prairie dogs; to what use could we ever hope to put these great deserts, or those endless mountain ranges, impenetrable and covered to their very base with eternal snow? What can we ever hope to do with the western coast, a coast of 3,000 miles, rockbound, cheerless, uninviting and not a harbor in it?”
    —For the State of Kansas, U.S. public relief program (1935-1943)

    “Until we devise means of discovering workers who are temperamentally irked by monotony it will be well to take for granted that the majority of human beings cannot safely be regimented at work without relief in the form of education and recreation and pleasant surroundings.”
    —Mary Barnett Gilson (1877–?)

    “Look at your lake, Christine. You’ll love it here, when you get used to the dark. And you’ll love the dark, too. It’s friendly. And peaceful. It brings rest and relief from pain. It’s right under the Opera. The music comes down and the darkness distills it, cleanses it of the suffering that made it, then it’s all beauty and life here is like a resurrection.”
    —Eric Taylor, and Leroux. Arthur Lubin. Erique Claudin (Claude Rains)