Relief
Relief, or relievo rilievo, is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. What is actually performed when a relief is cut in from a flat surface of stone or wood is a lowering of the field, leaving the unsculpted parts seemingly raised. The technique involves considerable chiselling away of the background, which is a time-consuming exercise with little artistic effect if the lowered background is left plain, as is often the case. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mache the form can be just added to or raised up from the background, and monumental bronze reliefs are made by casting.
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Famous quotes containing the word relief:
“When one has come to accept a certain course as duty he has a pleasant sense of relief and of lifted responsibility, even if the course involves pain and renunciation. It is like obedience to some external authority; any clear way, though it lead to death, is mentally preferable to the tangle of uncertainty.”
—Charles Horton Cooley (1864–1929)
“He is a poor man and has got behind-hand and when that’s the case, there is no staying in the settlements; for those varmints, the sheriffs and constables, are worse than the Indians, because you can kill Indians and you dare not kill the sheriffs.”
—For the State of West Virginia, U.S. public relief program (1935-1943)
“I now leave Charleston, the seat of Satan, dissipation, and folly.”
—Administration in the State of Sout, U.S. public relief program (1935-1943)