"Sleeper Hold" in Professional Wrestling
Pro-wrestling's first "sleeper hold" is thought to have been performed by Jim Londos on June 29, 1931. Suspicion abounded as to the nature of Londos' move (which had looked suspiciously like a choke against the windpipe); however, Londos was quoted the next day in The New York Sun as simply having performed "a new hold I perfected which shuts off the jugular vein."
Though Londos' original move may or may not have been inspired by judo's "hadaka jime," pro-wrestling's sleeper and a rear naked choke both share a similar style of execution. However, in order for the sleeper to be used in the performance art-related world of pro-wrestling, the "leverage" arm is positioned in a relaxed state so the hold is not fully applied.
It is more realistically used by TNA wrestler Samoa Joe (whose wrestling move-set is closer to mixed martial arts). From then on out, the move has become more of a staple among independent wrestlers, as well as the Japanese wrestlers with the "strong style" of the sport; the most notable being former MMA star Minoru Suzuki.The sleeper hold is now more realistically done in pro wrestling.
Read more about this topic: Rear Naked Choke
Famous quotes containing the words hold, professional and/or wrestling:
“What? for I know not yet what you will say.
alc: Nor will you ever, if you interrupt.
Proceed, and I will hold my speechless tongue.”
—A.E. (Alfred Edward)
“In European thought in general, as contrasted with American, vigor, life and originality have a kind of easy, professional utterance. Americanon the other hand, is expressed in an eager amateurish way. A European gives a sense of scope, of survey, of consideration. An American is strained, sensational. One is artistic gold; the other is bullion.”
—Wallace Stevens (18791955)
“There are people who think that wrestling is an ignoble sport. Wrestling is not sport, it is a spectacle, and it is no more ignoble to attend a wrestled performance of suffering than a performance of the sorrows of Arnolphe or Andromaque.”
—Roland Barthes (19151980)