Quarter-comma Meantone - Comparison With 31 Equal Temperament

Comparison With 31 Equal Temperament

The perfect fifth of quarter-comma meantone, expressed as a fraction of an octave, is 1/4 log2 5. This number is irrational and in fact transcendental; hence a chain of meantone fifths, like a chain of pure 3/2 fifths, never closes (i.e. never equals a chain of octaves). However, the continued fraction approximations to this irrational fraction number allow us to find equal divisions of the octave which do close; the denominators of these are 1, 2, 5, 7, 12, 19, 31, 174, 205, 789 ... From this we find that 31 quarter-comma meantone fifths come close to closing, and conversely 31 equal temperament represents a good approximation to quarter-comma meantone. See: schisma.

Read more about this topic:  Quarter-comma Meantone

Famous quotes containing the words comparison with, comparison, equal and/or temperament:

    [Girls] study under the paralyzing idea that their acquirements cannot be brought into practical use. They may subserve the purposes of promoting individual domestic pleasure and social enjoyment in conversation, but what are they in comparison with the grand stimulation of independence and self- reliance, of the capability of contributing to the comfort and happiness of those whom they love as their own souls?
    Sarah M. Grimke (1792–1873)

    Clay answered the petition by declaring that while he looked on the institution of slavery as an evil, it was ‘nothing in comparison with the far greater evil which would inevitably flow from a sudden and indiscriminate emancipation.’
    State of Indiana, U.S. public relief program (1935-1943)

    Nations are possessed with an insane ambition to perpetuate the memory of themselves by the amount of hammered stone they leave. What if equal pains were taken to smooth and polish their manners?
    Henry David Thoreau (1817–1862)

    The artistic temperament is a disease that affects amateurs.... Artists of a large and wholesome vitality get rid of their art easily, as they breathe easily or perspire easily. But in artists of less force, the thing becomes a pressure, and produces a definite pain, which is called the artistic temperament.
    Gilbert Keith Chesterton (1874–1936)