Performance in AFC Competitions
- AFC Champions League: 3 appearances
-
- 2004: Group Stage
- 2006: Semi-Finals
- 2008: Quarter-Finals
- AFC Cup: 4 appearances
-
- 2010: Final
- 2011: Round of 16
- 2012: Round of 16
- 2013:
- Asian Club Championship: 1 appearance
-
- 2000: First Round (Withdrew)
- Asian Cup Winners Cup: 2 appearances
-
- 1990–91: First Round
- 1994–95: Second Round
Season | Competition | Round | Club | Home | Away | |
---|---|---|---|---|---|---|
1991 | Asian Cup Winners Cup | 1st Round | Al Faisaly | - | - | |
1995 | Asian Cup Winners Cup | 1st Round | Al Oruba Sur | 2–0 | 0–1 | |
2nd Round | Al Sadd | - | 0-2 | |||
2000 | Asian Club Championship | 1st Round | Al-Wahda | - | - | |
2005/06 | AFC Champions League | Group | Foolad | 2–0 | 0–6 | |
Group | Pakhtakor | 2–1 | 2–2 | |||
Group | Al Ittihad | 1–0 | 2–2 | |||
QF | AL Ain | 2–2 | 3–0 | |||
SF | Al-Karamah | 0–1 | 0–0 | |||
2007/08 | AFC Champions League | Group | Pakhtakor | 2–2 | 1–0 | |
Group | Arbil | 1–1 | 2–4 | |||
Group | Al-Gharafa | 1–0 | 1–0 | |||
QF | Urawa | 3–2 | 0–2 | |||
2010 | AFC Cup | Group | East Bengal | 4–1 | 3–2 | |
Group | Al Ittihad | 3–0 | 0–0 | |||
Group | Al Nejmeh | 1–1 | 3–1 | |||
Round of 16 | 2–1 | |||||
QuarterFinal | Thai Port | 3–0 | 0–0 | |||
SemiFinal | Riffa | 4–1 | 0–2 | |||
Final | Al-Ittihad | |||||
2011 | AFC Cup | Group | Shurtan | 4–0 | 1–1 | |
Group | Al-Ittihad | 3–2 | 2–0 | |||
Group | Al-Saqr | 3–0 | 2–2 | |||
Round of 16 | Al-Kuwait | |||||
2012 | AFC Cup | Group | Al-Suwaiq | 2–0 | 5-1 | |
Group | Al-Ittihad | 5-2 | 0–1 | |||
Group | Al-Faisaly | 1-2 | 1-1 | |||
Round of 16 | Al-Kuwait | |||||
2013 | AFC Cup | Group | Al-Shorta | |||
Group | Al-Ramtha | |||||
Group | Ravshan Kulob |
Read more about this topic: Qadsia SC
Famous quotes containing the word performance:
“The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
—Viola Spolin (b. 1911)
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